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For the first twenty-five years of my career I was strictly a black and white film photographer, never keen on color photos. Then, on my first trip to Cuba in 2000 a whole new world opened visually. The rich rawness and beauty of the landscape and the people was so energizing and immediate. It screamed out to be documented in the color format and I just followed my heart and went for it.
- Excerpt from conversation between David Caras and Mark Feeney for Art News
For the first twenty-five years of my career I was strictly a black and white film photographer, never keen on color photos. Then, on my first trip to Cuba in 2000 a whole new world opened visually. The rich rawness and beauty of the landscape and the people was so energizing and immediate. It screamed out to be documented in the color format and I just followed my heart and went for it.
- Excerpt from conversation between David Caras and Mark Feeney for Art News
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